Visual
composition is the name for numerous operations, actions, and tricks that
artists can use to make their work more interesting, more readable, and
pleasing to look at. It's the way of placing small elements of the picture so that
they look good as a whole. In the previous post I said that you can't create a good
image without preparation and it's exactly the same with composition. Actually,
it is one of the first things you should do when you're planning a picture. If
you don't plan your composition properly there's a huge chance that your
picture is going to look random and the viewer is going to have a hard time
trying to figure out what is happening on that picture.
It's quite hard
for me to talk about composition without an image example, so I decided to take
a picture painted by one of my favourites artists - Feng Zhu - and explain what
composition tricks he used to make it
look so good. I'm not saying that I'm a composition expert. In fact, I'm far
from being that, so that's only my opinion and interpretation :)
When you look at
this picture, there is no doubt about what is its focus point. Your eyes
unconsciously wonder towards the golden lion and that is not a coincidence.
Feng made that using some composition tricks. First that is most obvious for me
is using Fibonacci spiral. It is a composition technique very often used by
various artists. It leads the viewer's
sight through the picture in specific way. In this case - towards the
lion.
Apart from the spiral,
you can notice plenty of other lines that are pointing towards the beast.
Moreover, the
lion is the biggest and most detailed figure on this picture, which makes your
mind focusing on it. Additionally, his quite dark value contrasts with the
light value of the sky creates a tension and makes it more interesting to look
at.
Another
important aspect of composition is colour. It's obvious that the key colour of
this picture is red. It's the complementary colour of green (which is dominant
colour on this image) and it also creates tension, so by placing it on all
figures on this picture (beasts and warrior), it makes them feel more
important. Also, this choice supports story-telling - you unconsciously know
that the warrior and cats are in some way connected.
All elements
that I described above make the right side of the picture more dominant, and
Feng made sure that the left side is nicely counterbalanced. He made that by
introducing the little waterfall and by giving the warrior a huge sword. Both
these things have light value that contrast with the background, so again:
tension = point of interest. Also the picture is nicely framed by the fragments
of ruins on both sides that keep you focused on the action that is happening
between them.
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